On the Box

As a Senior Flame Artist, I provide high-end finishing, compositing, and visual effects services that help bring creative visions to life. With over a decade of industry experience and a BA (Hons) in Motion Design, I combine strong technical expertise with a refined creative eye to deliver polished, cinematic results across commercials, film, and branded content.

​

My extensive knowledge of Autodesk Flame allows me to handle complex compositing, beauty work, clean-up, finishing, look development, and seamless integration with precision and efficiency. Whether collaborating closely with directors, agencies, or post-production teams, I focus on delivering visually striking work while maintaining a smooth and reliable workflow under tight deadlines.

​

On Set Supervision

 "The job of an On-Set VFX Supervisor is to make sure that the required VFX shots are executed as needed, as well as to manage the VFX budget, schedule and expectations." 

​

With on-set supervision experience across the US, Dubai, and Europe, I’m passionate about collaborating closely with directors, DOPs, and production teams to ensure every shoot is captured with post-production in mind. From gathering essential camera data and VFX elements to knowing what should stay out of frame, I focus on creating a smooth and efficient pipeline from set to final delivery.

​

My attention to detail, calm approach on set, and ability to work alongside world-class crews have allowed me to thrive in fast-paced production environments. I’ve also adapted seamlessly to the evolving demands of a post-COVID industry, supervising shoots remotely when required while maintaining the same level of precision and communication.

​

Alongside creative and technical oversight, I understand the importance of keeping productions efficient and cost-effective. Through careful planning, clear communication, and proactive problem-solving, I help minimise delays, avoid costly mistakes, and keep projects moving smoothly without compromising quality.

​

Whether working on set or remotely, I’m committed to ensuring every technical and creative detail is properly prepared — from lens grids and camera tracking data to clean green screen lighting and VFX continuity. My goal is always to support the director’s vision while making the post-production process as seamless and stress-free as possible.

​

If you’re looking for an experienced, reliable, and collaborative on-set VFX supervisor, I’d love to discuss how I can support your next project.